Journalistic Writing:
“5 Questions to Michael Begay: Native American Composers Apprentice Project (NACAP)" I Care if You Listen
“Civitas Ensemble Delivers Nuanced Interpretations on Jin-Yin” I Care if You Listen
“Mirror Butterfly: Afro Yaqui’s Call to Action for Migrant and Climate Justice” I Care if You Listen
“Soundlines: Engaging Performances from ICE, Lewis, and Schick” I Care if You Listen
“Sam Newsome Breaks New Ground with Chaos Theory” I Care if You Listen
“Ensemble Arcadiana Delivers Spirited Performances of Alberga’s String Quartets” I Care if You Listen
“David Sanford and BMOP’s Black Noise Resonates with History” I Care if You Listen
“AEQUA: Anna Thorvaldsdottir and ICE Invite Ecological Listening” I Care if You Listen
“Appalachia loves stories: A conversation with Travis Stimeling” Booktimist West Virginia University Press
“5 Questions to Alecia Lawyer (Founder & Principal Oboist, ROCO)” I Care if You Listen
“Jubilant Performances By ICE and Friends at Mostly Mozart’s Grand Pianola Music” I Care if You Listen
“5 Questions to Yuga Cohler (Conductor, Asia/America New Music Institute)” I Care if You Listen
“Eclectic and Multifaceted: Olivia de Prato’s Streya has Something for Everyone” I Care if You Listen
“Personal Collaborations Abound on Walters and Deyoe New Releases” I Care if You Listen
“5 Questions to Bill Ryan (Director, Grand Valley State University New Music Ensemble)” I Care if You Listen
“History Sonified: Qasim Naqvi’s Film Synthesizes Succinct Narratives” I Care if You Listen
“The Los Angeles Percussion Quartet Transcends on Beyond” I Care if You Listen
Academic Writing (available upon request):
“Y’all Listening? Locating Queer Space, Place, and Soundscapes in West Virginia”
“Rethinking Interaction: Identity and Agency in the Performance of Interactive Electronic Music”
“Rethinking Interaction: Agency and Identity in Performance with _Derivations”
“Interaction through Re-Embodiment: An Embodied Analysis of KUBA”
“Contexts, Processes, and Endpoints for Chorister Education in Tudor England:
Towards the Identification and Contextualization of the English Chorister Identity”